Library & Literary Miscellany

Montmorency: Thief, Liar, Gentleman by Eleanor Updale (2004)

“But it is time for you to go. Your possessions will be returned to you downstairs. You have been given the chance of life, 493. I hope you will take the opportunity to make that life one of industry and law-abiding behavior.”

So says the warden to Prisoner 493–also known as Montmorency also known as Scarper. While languishing for three years in the bowels of a Victorian England prison, Montmorency vows to reinvent himself–multiple reinventions really–as a thief, a liar, and a gentleman.

Montmorency’s time in jail is the result of his having been caught as a thief. During his capture, he suffers grievous physical injuries. In fact, Montmorency’s injuries are so grave that an up-and-coming London doctor, Doctor Farcett, is permitted to perform experimental treatments on him.

The treatments save Montmorency’s life and begin to heal of his physical injuries but, simultaneously, they augment his emotional pain over life’s inequities. As a part of his treatments, Montmorency attends meetings of the Scientific Society where he is humiliated as a specimen under examination but also where he learns about the underground sewage system of London. The seeds of a plan for revenge against society’s upper classes begin to sprout.

Montmorency resolves to create dual identities—he will enter London’s underground as Scarper, a sewer navigator who uses the routes to accomplish his thefts and to pave the way for the success of his above-ground persona, Montmorency. Using the goods he attains as Scarper, Montmorency lives the life of a refined gentleman and, in so doing, he defies the seemingly insurmountable Victorian class divisions of his day.

Updale fills her story with secret identities, complex characters, period details, scatological references, daring deeds, narrow escapes, and more vice than virtue. Social and economic disparities drive much of the action–while wealthy gentlemen spend the days at their club, the poorer classes spend the days doing what it takes (legal or no) to survive. Montmorency’s dual identities begin to foster identity confusion, and Montmorency/Scarper finds himself facing choices as to which version of himself he wants to control of his life–the thief, the liar, or the gentleman.

As a work for young adults, Montmorency: Thief, Liar, Gentleman is unusual as its characters are not young adults (the same holds true for the subsequent works in the series), and its main character is more antihero than hero. Montmorency: Thief, Liar, Gentleman harkens back to Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde in which one man confronts some unpleasant facts about the conflicting parts of his nature. More modern offerings that contain elements of history, mystery, adventure, and crime in historical England can be found in works by authors such as Chris Priestley, Iain Lawrence, Avi (Traitors Gate), and Paul Bajoria (Printer’s Devil). Montmorency: Thief, Liar, Gentleman is the first book in the series starring Montmorency.

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Rhett Butler’s Peopleby Donald McCaig (2007)

Rhett Butler’s People, the fully authorized prequel/sequel, to Gone with the Wind gives us the story from Rhett Butler’s perspective. McCaig invents the backstory that shapes Rhett–the family black sheep and Southern “almost-but-not-quite” gentleman. Readers get the inside look at how and why Rhett starts, stops, and starts giving a damn. The story also provides justifications for the details that mar Rhett’s character in the original (for example, Rhett’s purported illegitimate son, his arrest for killing a black man, his Klan involvement).

Rhett Butler’s People narrates not just the story of Rhett and Scarlet but also the stories of others whose lives are connected with Rhett’s life. His beloved sister Rosemary, his illegitimate son in New Orleans Tazewell Watling, his free black friend Tunis Bonneau, his schoolmate turned rogue and war hero Andrew Ravanel, and others get expanded space to tell their own stories in McCaig’s novel.

Rhett Butler’s People also covers a wider time frame than Gone With the Wind. We are privy to Rhett’s childhood on a rice plantation before the war begins, his experiences as a blockade runner and soldier during the war, and his life in the Reconstruction Era after the war. All this leads up to choices that he and Scarlett are faced with regarding helping to reconstruct not only their beloved South and also with whether or not to bother reconstructing their relationship.

Overall, reading Rhett Butler’s People provides an entertaining and informative look into the Civil War Era, although, compared with Gone with the Wind, it does give short shrift to the Rhett and Scarlett saga. Still, those who enjoy US historical fiction may find it well worth taking a second look at a long ago damned love story with its added look into the war.

For other modern works that have taken alternative looks at old classics try March by Geraldine Brooks (Little Women) and Wide Sargasso Sea by Jean Rhys (Jane Eyre). For another alternative look at Gone with the Wind, try The Wind Done Gone by Alice Randall.

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